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June 11, 2008


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The Changing World of Polymer Clay
By Sarajane Helm

 

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As my mother recently reminded me in my birthday card, I never really did stop being a child in many ways. Although I'm now entering into my second half-decade, and in a century other than the one I was born into, I still appreciate the colors of beads and the patterns into which they can go with the same "wooooohoo look at THAT!!!!" enthusiasm. It's a joy to see them, touch them, put them together and take them apart. It's the same with textiles, paints and colored pencils, and clays. Now there is more access to more supplies for more people than ever before in our history! We have a huge wealth of creative resources that include inspirations, materials and information.

blueswInspirations are made up of all the things we've seen or heard or experienced, and we bring the best of them from the past into our present lives to make them part of what we do. We begin learning as children, and layer our experiences on top of that foundation. Perceptions change as we get older, but some things stick with us.

Materials and information go through changes too. It is even said, "There's nothing so constant as change". Polymer clay has gone through many changes in my lifetime, and in the 25 years that I have been using it.

Two years ago, changes in European law regarding plastics in the construction industries caused suppliers to change some of the chemicals used in making PVC pipes. This in turn caused changes in polymer clays, because the manufacturers all use a PVC product as a base with plasticisers to keep it soft until curing at 230-300 degrees F. Each brand uses their own formula and there are differences in colors, translucence, shine, strength, ease in preparation and handling, baking temperatures and more. Artists have their favorites and yet things change…

European law has also recently made changes concerning plastics used in toys, and polymer clay is classified there as a toy in some instances. As toys are considered more likely to be put in the mouths of children than artists' supplies, there are different sorts of regulations. US laws may follow this path in the future, and in order to sustain marketability all the polymer clay brands have been recently again reformulated to comply with the new laws.

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FIMO classic and FIMO soft (white)

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Fimo classic (detail)

All the clays have changed quite a bit from what they were five years ago, or two years ago. I recently purchased clay from a local hobby supply store for a class. I had small blocks of white in FIMO soft, FIMO classic, Premo, and Kato Polyclay and compared them. All the whites were visibly different from each other, hands1wall brands were texturally different, and they smell different. They don't handle the way that I'm used to them behaving. And yet--I too can be flexible and learn about the new ways of doing this.

Remember too that with differences in the chemical makeup of clay come changes in the information. Our old information about what is compatible and what worked well in the past may no longer be valid. Long-term tests on compatibility and durability were done on the old formulae, and this is a brave new world. We'll have to learn as we go, and not be too caught up on what we think we already know.

Which, as any child can tell you, is how things have always been and always will be!

cwpctCreate a polyclay impressionAdaptingQuiltPatternstotnAbout The Author

Sarajane Helm is an artist and author who resides with her family and fellow artistic collaborators in the foothills of the Rocky Mountains in Colorado. She currently has three books about polymer clay in publication, Create A Polymer Clay Impression and Celebrations With Polymer Clay through Krause Publications. Her most recent book, Adapting Quilt Patterns to Polymer Clay is a collaberation with Judith Skinner. She also writes a column for Belle Armoire Magazine and creates a line of beads, dolls, and wearable art. Visit her website at www.polyclay.com.

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From Our Readers:

Dear Aunt Acid,

First off, I find it hard to refer to you as "aunt" when, at the very least we're of an age, if I'm not older. . .

So, Ms. Acid I'd like to say that the apparent chaos in the photo you post as demonstrating a "messy studio" is anything but! Things of a kind are with each other, and where else would you keep your viola while restoring it? I only WISH that my studio were so tidy! I would encourage the craftsman to stow his painter's tape though. It looks like its trying to run away.

cheers,
KT (6-9-08)

Dear KT,

So are we going to see a picture of your studio? And I am also wondering if Aunt Acid’s studio is neat and clean or not! ~ Bill

Kat_West400webI really had to laugh when I saw that photo. I am not surprised that it resonated with so many.

Kat West’s “Messy and Dusty” Studio

Enclosed is a picture of (part of) my studio. This is how I like to keep it. I would be hard pressed to look anyone straight in the eye, and tell them that it ALWAYS looks like this. In fact, the Messy Table looked quite familiar.

However, I find it very difficult to create in the midst of chaos. I am very blessed to have a large work space. I have a china cabinet, two hutches, and a bookcase, and a smaller cabinet for glue, thread, tools. I organize my raw materials in plastic boxes with drawers sold in hardware stores for nuts and bolts. Seed beads and fire polished are separated by size, and somewhat by color range. Semi-precious is alphabetized. I have numerous hand painted paper mache boxes from India for holding druzy and hand made artist beads and the rest of the good stuff. Half a dozen cigar boxes hold brass, Swarovski , coral etc.

On the rare occasion that I have creative block, I start dusting and re-arranging.
(The dust doesn't show in the photo-right?). I look forward to seeing other artist's workshops.

Denise-Desart-Strasser1300Kat West

Dear Kat

Such organization, Wow! I find your view very relaxing out your window and see why you would love to bead in your studio. As far as dust......wait......I think I saw some <G>. Thank you for sharing ~ Bill
 

Here are the photos of my shop. Messy at this time........I am working on it! Thanks. I am glad to see I am not the only one who can work in chaos!!!!
Thanks,

Denise DeSart-Strasser
Designs by Dagmar

Denise’s Studio

Dear Denise

This is really not that bad. Here’s a hint. With your 3 month free subscription you can download tons of BeadBugle.Com projects and then store them on a single DVD disk. That would free up the top shelf here you are storing all you old magazines <S>. ~ Bill

Send us pictures of your studio...Messy or Clean. By the way...we can always use just your initials Donna Milliron if it is TOO messy. (In an email my friend called Robert Dancik’s studio a “piker” when compared to her studio)
 

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If you enjoy The BeadBugle.Com newsletter and magazine, there are a few ways to help support us. You can subscribe for $25 per year (find out what this entitles you to), you can purchase beads and beading supplies from BeadBabe.Com, You can purchase the books we review through the links to Amazon.Com and finally you can contribute content to the publication (articles, pictures of you work, projects of your favorite design). Just submit to wjohnson@Beadbugle.com. So even if you can’t afford a subscription, you can help. Thank you for your support. ~ Bill

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