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Ann Turner Picture WB200

About Style
By Ann Turner

I owe my fashion insight to
Lucy and Ethel

I learned about the rarefied world of couture a long time ago from Lucy and Ethel in the mid-1950s. The enlightening episode was “Lucy Gets A Paris Gown”. As a youngster, I just thought it was silly, but somehow, that episode in particular made a lasting impression on me. As a young adult, I recalled its details when I participated in and learned about the fashion industry. I realized that there was more truth than fiction in the episode. Lucy knew where it was at, and like all good comedians, she worked with what she knew.

For those who aren’t old enough to have seen it, and for those who weren’t as impressed with Lucy as I was, I’ll recap the high points of what I remember. It’s a Lucy episode, so there’s more about Lucy than about Fashion, but it conveys some essential truths about fashion and designers.

The Plot:

lucyeatingweb

 

Lucy, Ricky, Fred and Ethel were in
Paris. Ricky had used his showbusiness connections to get the girls an invitation to a designer’s fashion show. Fred expressed to Ricky his concern that Ethel might want a garment from the line, and he said that he could not afford it. Ricky ended up warning Lucy that they would be there to see a show, not to buy a dress. Predictably, Lucy got her dress, but not without a series of contrived shenanigans. In the end, Ricky took back the dress and he and Fred conspired to “put one over on Lucy and Ethel.

 

 

The men hired a tailor to make some awful dresses out of burlap and had him put a designer label inside. When presented with the burlap outfits, “the girls” were surprised by this uncharacteristic generosity from their husbands.
 
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They happily donned their new outfits (complete with wastebasket hats), and proceeded to strut down the avenue like runway models. In the café, they saw the designer they believed had created the outfits for them. They wanted to thank him, but Ricky & Fred just fell about laughing. They confessed that they designed the outfits themselves to teach the girls a lesson. Lucy & Ethel were extremely angry and embarrassed, and they ran away, covering themselves with a tablecloth.

fourwithhatsThe next day at breakfast in the cafe, Lucy informed Ricky that they would be going to the designer’s showroom and that he & Fred would buy her & Ethel whatever dress they each wanted. At that moment, the designer and two models passed by. The models were wearing copies of the outfits “the boys” designed. Instead of making public spectacles of themselves, Lucy and Ethel became fashion trendsetters. Fred and Ricky angrily called the designer a crook, but they were relieved to think that they were off the hook, because the girls have the originals. Then Lucy admitted that she and Ethel burned their burlap dresses.

Lucy and ethel

The moral of this story is that perception is 9/10 of the game. Fashion’s standards are only as clearly defined as they need to be in the context they operate in. Style is only as creative as the people who engage with it.

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RunwayCouture
Galliano Resort
Couture 2008 John Galliano - House of Dior

Ann Turner Picture WB200About The Author

I was born in New York, and grew up on the North shore of Long Island.. My first degree, from FIT, is in fashion design. I eventually earned another degree in art education and a third in fine arts, with minors in anthropology, art history, and psychology.

I’ve had the opportunity to travel extensively and have lived many places in the world; settling for about 10 years in a remote Catskill mountain cabin with no utilities or running water. I made sweaters, shawls, clothing, soap, and jewelry to barter for the “extras” we couldn’t afford, such as the midwife who delivered my children. When my youngest was a little over a year old, I took on full-time employment as a counselor in a psychiatric day-treatment program. I led a handcrafts group and provided supportive counseling to deinstitutionalized people.

Since 1997, I have worked as a therapeutic art teacher in a residential facility for court adjudicated boys. I never seem to teach the same project twice, though every year I do teach ceramics and some form of jewelry making – metal work, glass fusing, wirework, beading, copper enamel, and more. My boys (aged 12-18), really enjoy combining macramé and beading! I love teaching and working with these special guys, but in an attempt to make more money, occupy my mind productively, and enjoy more creative gratification, I began designing jewelry on my two-hour commute.

Soon I was spending time combing the internet for suppliers. When I had an inventory of only ten pieces, Backwoods Beadery was born. We sell from our Website and at craft fairs and home parties. My husband John is our Webmaster and takes care of the business end in addition to being a great bead designer. I do the buying, more of the design, and the new product end of things. We both contribute to the newsletter.

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